Alice Through Looking Glass Time – The best, and perhaps only, way to appreciate “Alice Through the Looking Glass” is to succumb to its maddened digital excess and immerse yourself in a world of multiples through time and space. Directed by James Bobin (“The Muppets”), this sequel to Tim Burton’s “Alice in Wonderland” is so cluttered with a dizzying mix of Victorian and special effects gadgets that every nook and cranny is packed with stuff. There is more to do than meets the eye.
Symbolic of that excess is the table set for a tea party for two, with enough sugar calories piled high in goodies to wipe out an entire naval battalion from diabetic shock. If it wasn’t for the sweets, it would have been a story. Like Mr. Burton, whose original film grossed more than $1 billion at the worldwide box office, Mr. Bobin believes in fear and eternity.
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One of the main plot threads involves the conflict between the evil Red Queen, Ersbeth (with her sullen, veiled Helena Bonham Carter), and her sister, the angelic White Queen, Myrna (a pale Anne Hathaway). Eresbeth’s sarcasm relates to a childhood incident involving cake crumbs, which she blames for Mirana’s mess. The conflict between brothers and sisters escalates into a global conflict that stops time at a point. Trust the plot of that Broadway juggernaut “Wicked,” recycled for “Through the Looking Glass,” a gift that keeps on giving. At least “Alice Through the Looking Glass” isn’t stuck with formulaic Disney songs, though as its approach becomes more cosmic, Danny Elfman’s score settles into a mood of extreme loneliness.
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What does all this have to do with Lewis Carroll? Hardly anything. Two over-turned trite fences and a ridiculous hanging are just excuses. One is about a good girl, a good and forgiving girl; Second father and son differences. The third is science fiction tomfoolery that Carroll might have appreciated.
Alice has her own problems. After establishing trade routes to China on her ship, the Wonder, she returns to England to find that a rejected suitor, Hamish (Leo Bill), has manipulated the sale of his prized ship through Alice’s mother (Lindsay Duncan). . Agree to a questionable deal. From now on free, adventurer Alice will be trapped in Victorian England.
The disconnect between the film and its source material means that classic carol inventions such as Tweedledee and Tweedledum (Matt Lucas), the Cheshire Cat (Stephen Fry), the Dormouse (Barbara Windsor) and the White Rabbit (Michael Sheen) are contrived. members.. pose as Alice, but aside from a few signature visual quirks and well-cast voices, they’re less characters than decorative nostalgic touchstones. Most are featured in Carroll’s deep, absurd and truly unique embrace.
Johnny Depp as the Mad Hatter, a neurotic eccentric loner first seen dying of a broken heart, is one of the returning stars from Mr. Burton’s 2010 film, which is both charming and intelligent. He has been deeply depressed since the day his strict conservative father made fun of his first attempt at making a hat.
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The search for his parents, presumed dead at the end of the first film, ignites a third subplot in which his best friend, Alice, equipped with a gyroscopic vortex time machine called the Chronosphere, tries to change the past to change the future.
The rotation of time between Alice’s present and past as she dips in and out of the liquid mirror in “Through the Looking Glass” provides a whisker pace that intensifies and accelerates as the film progresses. Mia Wasikowska is a modern young superwoman dressed in stunning Victorian costumes by Alice King, and is the latest Disney heroine to be seen through a feminist lens.
To obtain the chronosphere, Alice must steal the device from Time itself (Sacha Baron Cohen), a crazed semi-human control freak with a ticking timepiece for a heart and an Austrian accent, living in a castle that suggests a large clock.
As contrived and drawn-out as the film’s narrative threads may seem – with a screenplay by Linda Woolverton, who also wrote “Alice in Wonderland” – its unpredictable, frenzied sense of time gives it a frenzied energy in keeping with Carroll’s approach to pointless disorder. . Whirlpool clocks speed up and rewind time and sometimes get stuck, causing dementia. These are the only scenes where the adjective “awesome” truly applies.
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Most of the other special effects have a cool post-“Star Wars” aesthetic. Yes, they are enough to keep your eyes glued to the screen, even as attention drifts away from clichéd subplots. But the cumulative effect is a non-stop ride on the roller coaster of the 21st century.
In the end, to paraphrase the Beatles, everyone is eager to get back to where they were before. And in Disney tradition, it goes without saying, everyone comes home safe and sound.
“Alice Through the Looking Glass” is rated PG (Parental Guidance Recommended) for dangerous scenes. Running time: 1 hour 48 minutes. Mysterious, Intelligent, Intense, Just Concerned, Slightly Mischievous, Powerful, Intelligent, Secretive (formerly), Stern (formerly), Reluctant (formerly), Manipulating (formerly), Good, Benevolent, Sympathetic, Good, Independent
I feel like a time thief. But you give before you take. Time is a gift. every minute. every second.
Johnny Depp And Anne Hathaway Sleepwalk Through ‘alice Through The Looking Glass’
Time is a magical creature that sits on a black throne in the castle of eternity. He has one human arm and one mechanical arm, and he has a chronosphere, a glowing, spinning metal sphere inside the chamber of the Great Clock that always powers up. If removed from the watch, the crownsphere will allow the person who takes it to travel back in time across the ocean of time. While trying to get the chronosphere back, the Time Lord is weakened and the only way to get it back is to return it to its rightful place.
After finally being betrayed by the Red Queen he helps Alice and Tarant return the chronosphere to its place, the mission succeeds and manages to revive the seemingly dead time after the chronosphere returns to normal and returns to its place. Time continues to rule the world time and reconcile with Alice.
In the 2d animated scenes M is seen having tea with Tarrant but tries to make fun of him but fails as Tarrant smiles happily and M gets angry. My main point in reviewing Disney’s latest foray into the Alice in Wonderland universe is to look at it only through the lens of the original book. You see, I am an Alice fan (read snob) and I personally believe that Alice in Wonderland and Through the Looking Glass are two of the best books. So, when someone (Disney or otherwise) decides to take a stab at redoing (redoxing?) the books I want to keep an eye on them.
When the first trailer came out, I basically peed my pants in excitement. As in, upper vertigo. This is not a movie I would take my kids to. It will be a much darker remake, and much more realistic, at least on the surface of things. Alice’s father’s study was there, she was into miniatures, ran on a chess set. Humpty was there. It was shaping up to be an amazing remake… or was it?
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Look This might be the best movie trailer ever. Pink is belting the White Rabbit with Jefferson Airplane. Is Alice in some kind of sanitarium? fantastic I couldn’t wait.
But here is the mistake. Alice in Wonderland as a book – and the source material for the film – is actually pretty good. At least, it seems like a thread. Alice falls into Wonderland and spends her time trying to understand its meaning and find her way out. On her way she meets the Mad Hatter, the March Hare, and a parade of hilarious characters. His fight with the Red Queen is a highlight and this is a moving book. Enough to adapt them into cartoons, movies, picture books, apps…you name it…it’s done. But through the looking glass? Not so much.
I know many of you have said you’ve read Through the Looking Glass … but many of you haven’t. without birth Trying to help you if not. Refresh your “memory” a bit by going through the book.
If Alice in Wonderland is a 6 on a trippy scale of 10… The Looking Glass is a 27. This book is more about logic puzzles and word fun than about any coherent story. I could well see the fun ‘ol Lewis Carroll had in telling Alice Liddell the original stories, and laughing at the absurd, and cranking it up to another level for her. This time, instead of a logical beginning and end, he would tell her stories about time and
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