Avengers Age Of Ultron 3d – While retrieving Loki’s scepter from Hydra’s fortress in snowy Eastern Europe, the Avengers secured not only the artifact, but also the artificial intelligence within it, which Stark, Banner, and Jarvis initially analyzed could ensure eternal world peace. production. With Thor’s desire to return to Asgard with the scepter, Tony and Bruce have only a few days to transfer this valuable commodity to Stark’s Ultron program – a program designed for global security – without consulting anyone else. But the AI develops too much zeal and behaves in a hostile manner. The first victim is Jarvis, who captures his neutron connection. After nesting in a somewhat broken robot from Stark’s garage, the AI explains his version of peace directly to the Avengers, initially taking care of destroying the superheroes. So Ultron isn’t what Stark thinks and he’s still on the run. Twins Pietro and Wanda Maximoff have two powerful companions equipped with very special powers and still have points to settle with Stark. This combined force makes good advice costly, as Ultron is on the verge of wiping out all of humanity virtually anywhere and at any time – loosely based on the principle of creating a great mess first to create a new order. .
Why hesitate when you can act in movies of your status? Joss Whedon gets off to a great start with a spectacular attack on the Hydra station in Sokovia, giving us a ten-minute sequence that almost amounts to a mini-war, perfectly introducing all the known characters, including their attributes. But not only that, but we also get to see two new characters enriching the universe in Avengers: Age of Ultron: Pietro and Wanda Maximoff, twins with very unique qualities. While Pietro provides speed as Quicksilver, Wanda takes on her psychological side as Scarlet Witch, affecting her victims through telekinesis. Both have a personal score with Stark, and their abilities can cause some confusion among the Avengers. Speaking of new characters, Ultron, the antagonist of the second Avengers adventure, is unfortunately the weakest point in Whedon’s film – and not just because he’s wearing Stark’s robot suit and thus doesn’t seem very personal. It is not for nothing that they say that a film with characters will be good only with its antagonist. While Whedon (like the two sequels to the first Spider-Man franchise) doesn’t make the mistake of lumping together too many villains, Ultron as his counterpart is too superficial and at times too stupid. After all, a hyper-intelligent AI is going to destroy humanity and create a new species in its own image, so as a viewer, you can expect this AI not to spend time with clumsy jokes. Such moments have a very negative effect on the hero, and there is never a fear that the assembled avengers will not get to him. Even though wit and irony played a big part in the film’s high entertainment value three years ago, it still held true.
Avengers Age Of Ultron 3d
Of course, Age of Ultron has a well-worked joke that (besides the obvious testosterone-filled words during the fight) provides an initial flavor as the other Avengers try to lift Thor’s hammer. It’s fun to watch the seasoned gentlemen go for nothing, Whedon is once again encouraged when Steve Rogers manages to at least move the hammer briefly – Thor’s look at this moment: Priceless. Either way, they always use the arrogance of people/characters to make light of things – like the story itself, because the villainy in Avengers: Age of Ultron thrives on the arrogance of those who think they can solve every problem once and for all. . their technical sophistication, high intelligence and strength. As time goes on (especially in Wanda’s telekinetic-influenced character brilliance), it becomes clear that the Avengers are always part of the problem, not just the solution. Whedon deals with motifs similar to those in the X-Men franchise: Do you believe in heroes with superpowers, or are you better off without them? It’s certainly not an overused or hackneyed political discourse, but superhero movies in the Marvel universe have enough depth to avoid becoming mere sci-fi entertainment in the hollow-shell style of Transformers . The most controversial scene in this context is the first major event of “Age of Ultron”: when a high-rise building collapses during the big fight between the Hulk and Iron Man, and the people in the street are disturbed by the dust and falling ash, the symbolic Force cannot be overshadowed by the threat that the Avengers will also show – finally in the end, Whedon is painting a picture here of the terrorist attacks of September 11, 2001. It’s a shame that the film rushes so quickly to the next action climax without further considering the uncertainty surrounding the introduction of the characters – this is where Age of Ultron feels rushed. Despite all the optics, there would be time for the public and/or responsible government officials to react.
Marvel Avengers Age Of Ultron Blu Ray 3d + Blu Ray Red Case Collectors Edition
Which brings us to Avengers: Age of Ultron, a truly impressive show. Each of the individual fights is spectacular, even shocking, and in the end, Whedon destroys an entire city to make it through the zone. Quicksilver’s sensational slow-motion sequences are also very entertaining. However, on the one hand, it lacks a scene comparable to the helicopter flying in front of you (although a good airship makes a cameo), and on the other hand, the director clearly uses a different role. example. You can’t shake the feeling that you’ve seen too many put together action scenes before – Quicksilver’s character and actions suffer a bit (despite the perfectly rendered scenes). Compared to other representatives of the science-fiction genre, the second part of the world of Avengers also has a defining feature in front of its colleagues: like its predecessor, Whedon can give each character an impressive space, especially during action scenes. working very quickly hand in hand. So Avengers: Age of Ultron has one thing that many other sci-fi movies lack: soul.
“Avengers: Age of Ultron” image is somewhat mixed: Robert Downey Jr. close plans. Behind the Iron Man suit’s HUD, they’re amazingly sharp and very three-dimensional even in 2D. However, the dark snow sequences and the open opening sequences in the snow could have done with a bit more contrast – the blacks here are sometimes a little grey, and the large overview scenes in particular lack depth of detail. If the scenes are completely computer generated, the effect is also a bit softer. Spatial depth, on the other hand, is great in good scenes rather than good, because even when Whedon goes for it, you can make out all the details in the background, for example, in the command center. The reflections in the banner glasses are also great. Anyone who wears glasses knows how hard it is to keep them clean to look crystal clear. Colors are also very strong, but filter differently depending on the scene. Sometimes brown tones predominate, sometimes bluish and cool.
Avengers: Age of Ultron also has to deal with the acoustic criticism: in the opening sequence, the midrange and high frequency range are clearly understated. When Iron Man blasts his energy waves, he rattles, crackles, and vibrates violently, but somehow sounds bruised and dull. Also, there seems to be a lack of signs as to exactly where they are expected. When Green Wrath intervenes in the plot, it separates two or three opposing minions – at least you see it, but you hear nothing about it. Now you can blame the German audio, which (typically Disney) is again available in slightly reduced dts HD hi-res, and the original version was mixed in dts HD master, but it still sounds a bit flat and quiet in these scenes. . Although it ships with two extra channels (5.1 vs. 7.1 in the dubbed version), anyone who watches the title two or three times will clearly notice the difference. However, heavy use of the woofer will try to sweep it away when Thor hammers the ground or Hulk attacks a mini-machine gun bunker. As the visuals and sound improve over the course of the game, you can’t help but feel like the opening scene is a little neglected during mastering. Because Ultron’s first short run against our superheroes sounds a lot more balanced, and on the series’ abandoned ship, the machine guns are hitting again in an amazingly modern midrange. As a result, one of the highlights is as follows: For example, the insonic sweep after Stark slams the Hulk into the shell of a high-rise building is very cool and a real bass killer (58’12). Needless to say, spatial effects are integrated
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