Dungeons And Dragons Call Of The Wild – The Wild Beyond the Witchlight: A Feywild Adventure is the first in a quick succession of D&D books to appear before the end of the year (Fyzban talks about dragons and a visit to Strixhaven is still to come). Wild Beyond the Witchlight is, as the name suggests, primarily the Feywild, home of fairies and fairy tales and an adventure set in Lewis Carroll. Although the book is supposed to be an adventure for characters of levels 1-8, it is actually for levels 1-7, as characters do not reach level 8 until the adventure ends.
Note that as an adventure book, The Wild Beyond the Witchlight is designed primarily for the DM. However, this review won’t spoil anything more than what you learned by reading the back of the book or watching Show 0. But if you want to go completely blind, you’ve been warned.
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The “Witchlight” of The Wild Beyond the Witchlight is a witchcraft carnival that, like its more sinister counterpart from Van Richten’s Guide to Ravenloft, appears around ships and stops at computers to be the starting point for the adventure. And it’s a fun opening act that does a good job of setting the tone for the adventure. The bulk of the adventure then takes place in the Feywild, a domain of the “happy” known as Prismere. Of course, not everything is completely beautiful in Prismere, otherwise it would not be such an adventure. In the back of the book is a pull-out map with a Carnival on one side and Prismere on the other, but of course you won’t get to that unless your DM tells you to.
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Wild Beyond the Occult leans heavily on the subject of its inspiration. As the first page of the book says, the adventure is satirical, but it is a mean one. Alice in Wonderland/Through the Looking Glass is a real helping of inspiration and also reminds me of the movie Labyrinth. There are beautiful things and puzzles and wonders … but there are also things that will scratch your head or make you smile before they lead you to your doom or lure you into bad deals. This is D&D, so there are battles, but heroes in fairy tales rarely win by stabbing everything in sight. Did Sarah Williams rely on force of arms to defeat Jareth, the goblin king? I don’t think so. He didn’t save Toby by either acting alone or stomping into oblivion regardless of the rules of the place. Wild Beyond Magic really captures that feeling. Characters must understand and play by the rules of the area they are moving through. They have to figure out when to trust and when to backstab. Even friendly characters have to gather their own desires and motivations, as “10 gold” is rarely worth what they want. They should be able to solve puzzles and invent puns. Overall, The Wild Beyond the Witchlight does a great job of conveying a sense of place that is quite different from other Dungeons & Dragons adventures.
Another great thing about The Wild Beyond the Witchlight is that the way the characters act is important. Not just in a “we’re responsible for defeating the bad guy and ultimately saving the world” kind of way. I can’t tell you what without spoiling it, but adventure is involved. NPCs interact with each other, can respawn, and fae rules have a mind of their own. What the characters do at the beginning of the adventure can work for or against them later. To handle this, the DM is equipped with a “story tracker” to keep these things in line. Pages and NPC pages get help roleplaying cards for DMs (probably downloadable and printable online, though I suppose you could try photocopying them). Again, there’s more to it than skull bashing.
Aside from the new monsters, there’s some limited mechanical content, which you’ll have to wait to hear from your DM about. The main attraction is two new playable species – fairies and harengans. Fairies are probably what you find in a fairy – they’re fae, they’re small, and they can fly on a plane. They can use
. The Harengan are rabbit people. They get a nice selection of bonuses – a boost to initiative, increased awareness, a bonus to Dexterity saves, and a bonus “rabbit hop” action on the battlefield several times a day. I think these types of concepts will appeal to a significant number of players, and I think they have good mechanics.
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There are also two backgrounds, but I’d discourage using them for this adventure, especially the Witchlight Hand, which literally works in a carnival. The second option, Fellost, grew up in the Feywild. Fellost’s introduction to the Feywild is common enough that it’s not really a problem – if one of these characters is used to these things, the sense of wonder and weirdness is slightly lacking. Witchlight Hand ups the ante, as the entire first part of the adventure is just another day at work for them, until the DM points out that Witchlight Hand doesn’t really know anything about the carnival or the people who work there. . So personally, I would suggest saving these backgrounds to use with a character in another adventure.
But The Wild Beyond the Witchlight is really fun. If you’re looking for a traditional hack-and-slash or dungeon dive, this won’t be the adventure for you. But it’s really impressive for what it sets out to do – capture the spirit of “fairies” and fairy tales and translate it into a Dungeons & Dragons adventure. It can really shine in the hands of the right DM, with the help of interesting and well-developed NPCs and interconnected settings. If you’re into that sort of thing, I’d highly recommend The Wild Beyond the Witchlight.
Promotional ideas in the form of a review copy. Strange Assembly may earn a commission from affiliate links in this article. Dungeons & Dragons: Honor Among Thieves: The Druid’s Call is the second prequel novel, setting the stage for the March 31 release of Dungeons & Dragons: Honor Among Thieves. In the midst of this YA novel, E.K. In the novel Dungeons & Dragons: Honor Among Thieves: The Road to Neverwinter by Johnston and Jelly Johnson, I am cautiously optimistic about the direction of the film.
Like my review of the second book, I’m not going to spoil anything about the movie that isn’t in the trailer. References to the book’s plot are within the bounds of what is described in the promotional material, but if you want to go into the movie and/or book at night, proceed with caution.
Beware The Jabberwock! The Burbling Dragon Arrives In The Wild Beyond The Witchlight
All About Doric While the second novel focuses on the bard Edjin and how he met Holga, Forge, and Simon, DnD:HAT:TDC focuses almost exclusively on Doric, the tiefling druid. She meets Simon during the story and the epilogue helps connect the dots between the beginning of the novel and the film. Otherwise, it’s a completely different background from the movie.
Johnston does a great job of giving the reader a sense of life in Fayron, especially living in forest communities rather than cities. Anyone who has ever been outdoors will sympathize with Doric. Although not everyone condemns him for being a brat, the initial rejection and neglect makes him assume the worst as he slowly realizes that few people accept him for who he is and No one is universally liked.
The novel chronicles Doric’s early life and his parents, the forest elf guardian community of the Neverwinter Woods, who adopted him, and Doric’s time spent in the Emerald Enclave in Ardip Forest, training as a druid. was left with, alternates between Although the book is action-packed, it focuses on how Doric evolves from a girl who is so afraid of rejection that she tries to avoid being useful and attention-seeking to a focused, more confident person. who called him a nature ranger. . It also outlines the day-to-day differences between rangers and druids.
DnD:HAT:TDC about owlbear wildshape also addresses that Doric, as shown in the trailers, can turn wildshape into an owlbear, which is not possible in the D&D rules as written. Whether the answer is satisfactory may be up to the reader, but Johnston simply provides a rationale for something that involves D&D film writers/directors/players John Francis Daley and Jonathan Goldstein because owls are iconic to D&D and—come on. Let’s be honest – it looks real. the great
Dungeons & Dragons Reveals New Details About New Feywild Adventure
Don’t be put off by the YA novel label. Road to Neverwinter is a story told by Adjin, so it focuses on his perspective, just as DnD:HAT:TDC focuses on Doric’s. The main difference between the two novels is that DnD:HAT:TDC refers to Doric learning
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