How To Draw Faces Step By Step

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How To Draw Faces Step By Step
How To Draw Faces Step By Step

How To Draw Faces Step By Step – Introduction and 3 things to remember || As an untrained artist (or rather learned through a combination of real-life observation and such teachings), I’ve learned a few things about faces: a) Everything boils down to basic geometry, and our faces are no exception. The main nose is triangular, the main eye is oval. With the help of basic shapes, we can create a three-dimensional image in our head, which allows us to take perspective into account when drawing faces. Moreover, by playing with these shapes, combining them and changing them so little, we can create a uniqueness that parallels the diversity found in the diversity of life on Earth. b) Proportion is important, but not everything. There are certain patterns that allow the brain to recognize “faces”. When these rules are violated, our brain warns us. There are many tricks to facial proportions, and the best part is that they’re easy to remember! I cover them as I draw, although bending the rules can create not only stylistic variety, but also a realistic atmosphere. c) Rules are made to be broken: People are not perfect! Everyone knows about scars, freckles and birthmarks, but when it comes to proportions, there is no perfect person on the planet. In fact, people are quite asymmetrical. A person doesn’t look normal when you copy, rotate and paste half of their face. For this reason, perfection is the enemy of realism, especially when drawing faces. More

Face layout || When drawing a face, most artists start with some kind of circle. This circle can represent the whole head or just the top of the head, but it gives the basic landscape of the facial features. The heads are of course never a perfect oval shape, so they are removed later. From here you want to draw a horizontal line down the center of the face. The eyes are located on this line. The distance between the eyes is about the length of one eye, and the distance from each eye to the outside of the oval is also one eye. Between this line and the bottom of the oval, draw another horizontal line. This is where the base of the nose rests, but when viewed from the front it appears to be between the base of the nose and the upper lip. Based on these two lines and the eye size, you can make the rest of the face layout. The sides of the nostrils are usually in line with the inner corners of the eyes, while the corners of the mouth should fall right in the middle of each eye. *Tip: The hairline falls equidistant from the top of the oval and the eyeline, although this varies from person to person. For example, a man’s hairline is further than a woman’s. An infant’s or elderly’s hairline is further than an adult’s. However, these variations are small, so don’t go crazy! More

How To Draw Faces Step By Step

How To Draw Faces Step By Step

Eyebrow placement || Wow! Do eyebrows move by themselves? Yes. Eyebrows are somewhere above the eyes, but are more varied and determine the size of the forehead, the expression and give a lot of character to the face. As a general rule, eyebrows are naturally one and a half and above eye level. But at the beginning of the pinch, the two may be closer to eye level. The shape of the eyebrows is also unique, although the most common shape includes a small peak towards the outer edge of the pupil. *Tip: Reflection – When I first started drawing faces, I tended to make the eyes too big. We often think of the eye as including the eyeball, eyelashes and eyebrows, which makes us overestimate the size of the eye. Remember that the face is five eyes wide and the normal eye is almond shaped. Since facial proportions depend on so much outside the eyes, it’s important to get them right! More

How To Draw A Face: A Step By Step Tutorial

Eye structure and mucosa || There are many different eye shapes and settings. Eyes can be wide-set, close-set, puppy-dog and hooded! What does it all mean? Wide-set eyes slightly wider than the length of one eye, closely set a little closer. Models and camera talent are usually wide-eyed. The puppy’s eyes are slightly lower than the outer edges. The hooded eyes are “covered” by the skin around the eyes. It is usually seen in Asians and older people. In terms of pupils, the upper eyelid should cut 1/4 to 1/3 of the iris, and the lower eyelid should barely touch the lower lid. *Tip: The more iris you reveal, the more intense the look. The less you reveal, the brighter the look. More

Nose structure and lining || The nose consists of four simple lines arranged around an up-down triangle. Using facial landmarks, you can draw two triangles that represent the geometric shape of the nose. From the center of the line separating the lower half of the oval, draw two lines that connect the outer edges of the eye line. From the inner edges of the eyes, draw two lines straight down until they intersect with the first two lines. Draw a line connecting the two intersection points. At this point, you look like you have a puppy nose. Look for the four lines drawn in red and resist the temptation to draw more than those four lines. We’ll cover the rest of the details! More

Oral structure and mucosa || I like to think of a face as a combination of four ovals arranged around a line. This line should be darker at the edges and center and reach two very fine peaks as shown. These edges hold together the four ovals that should be centered around the center of the line. The shape and size of the lips varies from person to person. There is no golden rule for how big the upper lip is compared to the lower lip. Feel free to play with the proportions of your lips until you find the shape you like. The lips should be located between the lower line and the bottom of the oval. More

Face structure and shading || This step is where your portrait really starts to take shape: the shading! At this stage, we focus on the shape of the face. While white represents the midtone of your skin, blue is the shadows and yellow is the highlights. You will always go from shadow to highlight with less contrast. Save dramatic colors like black and white to add depth. Note that there is a break between the nose and cheekbone highlights. These breaks can really add depth to your portrait, so don’t ignore them and adjust and change the shadows to make your portrait and its subject unique. The pink color represents reflected light. Imagine this person is wearing a white shirt. The light reflected from the white shirt reaches the face if the light is bright enough. You rarely find a pure shadow or a pure highlight. Each surface has its own profile. Also, make sure you blend shadows, midtones, and highlights well, keeping them separate. A poorly blended portrait will look blurry, while an over-blended portrait will look blurry. More

How To Sketch A Face From Photo

Eye details || This is where your portrait really makes its mark. Even if all other parts of the portrait are closed, the eyes have the power to capture the viewer. Start by shading the outer corners of the whites of the eyes. It makes the eyes round. Shade also directly under the upper lid, because the combination of dense lashes with the lid creates a real shadow. Once you’ve shaded the whites of your eyes, choose a medium shade for the iris. Shade the top of the rainbow, highlighting the bottom center of the rainbow. Create a clean, very thin highlight on the pupil and towards the outer edge of the iris to mimic the light reflected inside the eye. *Tip: Pupil size can also affect visual intensity, as many different situations and settings cause the pupil to contract or dilate. Many people forget that the lower lid rises slightly from the eye, creating a thin surface where the tear ducts are located. Placing them on the surface or in the canal area can add a lot of depth to the eyes, and shading the corners preserves the rounded edges of the eye. Combine the channel area with highlights and reflections

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