Newly Released Movies In Theaters – Photo 1 of 1 of 14 This combo shows poster art for upcoming movies, top left row, “Benediction,” “Chip ‘n Dale: Rescue Rangers,” “Doctor Strange in the Crowd of Madness,” “Downton Abbey: A New Age , “”Elvis”, second row from left, “Fire Island”, “Firestarter”, “Happening”, “Jurassic World Dominion”, “Lightyear”, third row from left, “Marcel the Shell with Shoes”, ” Minions: The Rise of Gru, “”Nope”, “Paws of Fury”, “Senior Year”, Bottom Left Row, “DC League of Super Pets”, “Thor: Love and Thunder”, “Top Gun Maverick”, ” ” Watcher , “And Where the Crawdads Sing.” (Wayside Attractions, top row from left, Disney+, Marvel Studios, Focus Features, Warner Bros., second row from left, Hulu/Searchlight Pictures, Universal, IFC Films, Universal, Disney , third row from left, A24, Universal , Warner Bros., Paramount, Netflix, bottom row from left, Warner Bros., Marvel Studios, Paramount, IFC Films, and Sony Pictures via AP) 1 of 14 This photo combo shows poster artwork for Upcoming movies, top left row, “Benediction,” “Chip ‘n Dale: Rescue Rangers,” “Doctor Strange in the Crowd of Madness,” “Downton Abbey: A New Era,” “Elvis,” second row from left, ” Fire Island”, “Firestarter”, “Happening”, “Jurassic World Dominion”, “Lightyear”, third row from left, “Marcel the Shell with shoes”, “Minions: The Rise of Gru”, “No” , “paws of Fury”, “Senior Year”, bottom left row, “DC League of Super Pets”, “Thor: Love and Thunder”, “Top Gun Maverick”, “Watcher”, and Where the Crawdads Sing. (Wayside Attractions, top row from left, Disney+, Marvel Studios, Focus Features, Warner Bros., second row from left, Hulu/Searchlight Pictures, Universal, IFC Films, Universal, Disney, third row from left, A24, Universal , Warner Bros., Paramount, Netflix, bottom row from left, Warner Bros., Marvel Studios, Paramount, IFC Films and Sony Pictures via AP)
This summer of movies, Tom Cruise is back in the cockpit behind this iconic pilot. Doctors Grant, Sattler and Ian Malcolm return for another round with the dinosaurs. Natalie Portman picks up Thor’s hammer. And Jordan Peele is trying to scare us with unknown things. again.
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Hollywood is bringing some of its biggest and most trusted players to the 2022 summer movie season, which unofficially kicks off this weekend and runs through the end of August with the help of Marvel and Disney’s “Doctor Strange and the Multiverse of Madness.” It’s an uncertain time for the film industry as studios and exhibitors recover from losses incurred during the pandemic and adjust to new ways of doing business, including shorter release windows, competition from streaming and the need to power their own services. Everyone wonders if movie-going will ever return to pre-pandemic levels.
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“We are still waiting for the seniors to come back. But it really feels like we’ve turned a corner,” said Jim Orr, Universal Pictures’ head of domestic distribution. “You feel that audiences want to go out, want to be in theaters. I think it’s going to be an extraordinary summer. “
Last week, studio executives and movie stars sat down with theater owners and exhibitors at a conference in Las Vegas to proudly announce movies that promise to bring audiences back to theaters week after week.
Expectations are especially high for “Top Gun: Maverick,” which will be released by Paramount Pictures on May 27 after a two-year delay due to the pandemic. Producer Jerry Bruckheimer says he never gave up on the desire to release “Top Gun: Maverick” — a full-on action film — with elaborate aerial photography, practical effects and up to six cameras in fighter jet cockpits — released exclusively in theaters.
“It’s the kind of movie that embraces the movie-going experience. take you It transports you. We always say: we are in the transport business. We transport you from place to place, and that’s what ‘Top Gun’ does,” Bruckheimer said. “Some movies have a lot of backlash and we hope to be one of them.”
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The movie industry has had some notable hits in the past six months, including “Spider-Man: No Way Home,” now the third-highest-grossing movie behind “The Batman,” “The Lost City” and, well, still. Small, “everything everywhere at once”. The expectation is that the momentum will only recover in the coming months.
Before the pandemic, the summer movie season could safely produce more than $4 billion in ticket sales, or about 40% of the year’s grosses, according to ComScore. But in 2020, with theaters closed for most of the season and many releases postponed, that total will drop to $176 million. Last summer saw a notable improvement to $1.7 billion, but things are not back to normal – many decided to delay issuances further or use hybrid strategies.
The boards are thin but now everyone is back to the theatre. Ticket service Fandango recently polled more than 6,000 ticket buyers, and 83% said they plan to see three or more movies on the big screen this summer. And, not insignificantly, Netflix last month also reported its first subscriber loss in 10 years and expects to lose two million more this quarter.
“Finally, it’s movie time, with blockbuster after blockbuster after blockbuster,” said Adam Aaron, chairman and chief executive of AMC Theaters, the nation’s largest theater chain. He praised “new movie concepts” such as “Doctor Strange 2”, “Top Gun 2”, “Jurassic World: Dominion” (June 10) and “Thor: Love and Thunder” (July 8), “No” (July). did 22) and familiar offerings from “Elvis” (June 24) and “Lightyear” (June 17) to “Minions: The Rise of Gru” (July 1).
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“It’s a bold statement, but this summer could be on par with 2019 and it will be monumental for the movie industry,” said Paul Dergarabedian, senior media analyst at Comscore.
Analysts are predicting that “Doctor Strange 2” could reach $170 million this weekend, double that of the first film. Marvel and Disney follow suit with the new Thor, which begins with Hemsworth’s character following “Endgame” with the Guardians of the Galaxy and asking “What now?”
“Thor is trying to figure out his purpose, trying to figure out exactly who he is and why he’s a hero or should he be a hero,” director Taika Waititi said. “I guess you could call it a midlife crisis.”
The film brings back Portman’s Jane Foster as The Mighty Thor, Waititi’s Korg and Tessa Thompson’s Valkyrie, and adds Russell Crowe as Zeus and Christian Bale as Gore, the God Butcher. Waititi has said it’s the craziest movie he’s ever made.
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“It’s a really fun, weird little team of heroes, a new team for Thor with Korg, Valkyrie and The Mighty Thor,” Waititi said. “And, in my humble opinion, we have the best villain Marvel has ever had in Christian Bale.”
But superhero movies alone don’t make for a healthy or particularly attractive cinematic landscape. Theaters must have alternatives to survive.
“Our business cannot be reduced to mere props and branding intellectual property. We really need to serve as broadly as possible,” Orr said. “We have something for every audience segment. The public wants it and the exhibitors want it. “
Universal prides itself on its diverse summer lineup, which includes periods from a certain dinosaur masthead, family animation, horror and adventure, comedies like “Easter Sunday” (Aug. 5) and focus features like “Downton Abbey: A New Era.” (May 20) and “Ms. Harris Goes to Paris” (July 15).
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Jason Blum, executive producer and head of Blumhouse, hopes that Scott Derrickson’s supernatural thriller “The Black Phone,” with Ethan Hawke in a rare villainous role, will be “the non-superhero movie of the summer” when it hits theaters. On June 24th.
More than just franchises are coming to theaters. Literary adaptations like “Where the Crawdads Sing” with Daisy Edgar-Jones, nonstop action rides like “Bullet Train” (July 29) with Brad Pitt and Sandra Bullock, Baz Luhrmann’s drama about the life and music of Elvis Presley, a. A satire about a tiny seashell (“Marcel the Shell in Shoes,” June 24), the Regency-era fun “Mr. Malcolm’s List” (July 1) and “Watcher” (June 3), as cool as “Bodies, Bodies, Bodies” and “Resurrection” (both August 5).
“Men,” a new thriller from “Annihilation” writer-director Alex Garland, also hits theaters May 20. Jessie Buckley stars as a woman who retreats to the English countryside in search of peace after a personal tragedy, only to face further horrors from the men of this beautiful town, all played by Rory Kinnear.
As someone who makes challenging and original films for the big screen, Garland is a little wary of the film industry and the seismic changes that are happening beneath the surface, which are “partly cultural and partly economic.”
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