Night Shift Stephen King Book – I love Stephen King’s work and he has novels I’m really interested in (like The Dead Zone), so I was willing to read the short stories in The Night Shift because I know King can be good. a great storyteller. Unfortunately, this collection let me down a bit. Among the 20 stories in the book, of course, there are some masterpieces that are very simple, pathetic or simply funny, but there are many bad or boring stories, so the collection as a whole. left a very bad impression on me.
What really bothers me is that King doesn’t shy away from borrowing (or should I say: stealing from them?) the works of other authors, and he does it in a very inelegant way. The very first story in the collection, The Flood of Jerusalem, is a great example of this: the story is very similar to HP Lovecraft’s Rats in the Wall. The similarity struck me because this is the only Lovecraft story I’ve read so far, and it makes me think that King uses Lovecraft’s work in his other stories, I just don’t know it. As a fan of postmodernism, of course, it’s not the free use of other texts that annoys me, it doesn’t seem to add anything to King’s own sources, so it’s not a postmodernist game for me, but a very sad example of a copycat. – pasting.
Night Shift Stephen King Book
In addition to relying heavily on the work of other writers, King often repeats himself. I don’t understand why a book of 20 stories needs two separate stories about rats, vertigo, ghost towns, or living machines. Granted, these are very useful subjects for a horror writer, and I’ll admit that the stories in question are about ancient or modern human fears, but I think one well-written story about all of these subjects would be enough, and then maybe. I wouldn’t feel like wasting my time reading another haunted town or rat horror story.
Night Shift By Stephen King (1978, Hardcover) Hc,dj Bce Book Club Edition
In his introduction to the collection, King writes that the most important factor in any work of fiction is the story, and even the most interesting characters, the most unique style, or the most frightening tone cannot fail to surprise the reader. the event itself. I don’t agree with this idea, but what King said shows that he knows the limits of his abilities and talent. In general, I think that King is correct in his assessment and his main talent lies in storytelling, however, Night Shift’s best tales are those that do not depend entirely on the story, but express a certain mood. mood (for example, “Night Walk” or “The Man Who Loves Flowers”), consider the characters’ relationships in a mature way (“Children of the Corn”) or offer atypical stories (“Strawberry”). Spring”). These stories contain several flashes of King’s true genius: his uncanny ability to conjure up unique atmospheres in his work, and his talent for creating wonderfully absorbing characters in a few simple sentences. I suspect that these stories will stick with me longer than the less interesting, less specific parts of the story. .
However, a set of 20 with only 4 or 5 good pieces does not satisfy me. I don’t like to waste time reading a lot of interesting stories only to come across a gem every now and then. Either way, I expect more from Stephen King.
Home Rare Books Rare Books Books Offered by ABA Other Rare Books from Fine Book Cellar Ltd. Stephen King’s Night Shift – 1978
Stephen King’s Reign Of Terror Continues In A New Novel
First Edition, First Impression (Doubleday & Company Inc, 1978), S52 with back edge and front cover price $8.95. The title page is signed, inscribed and dated by the author: “Stanley to the best, Stephen King 11/15/82.”
The writer’s first collection of stories. Winner of the Balrog Award for Best Collection and nominated for the 1979 Locus Award and World Fantasy Award for Best Collection. One of the smaller editions with around 12,000 copies compared to previous titles.
Great book. The original and untrimmed dustjacket has some rubbing at the ends of the spine and a few small spots and chips; A small and inconspicuous closed tear to the top of the front panel and to the top edge of the top and bottom panels crossing the fan panel with the original price tag.
First edition in Great Britain, first impression (Collins Clear-Type Press, 1958). Originally published in the US last year. Signed by the author and inscribed on the front cover: “Best wishes to the children of Battersea… Dr. Seuss.” That rarely happens. Publisher’s original blue drawing boards. Light bumping to corners, rubbing to edges and spine; very slight bend to top plate; the content is clean and without titles and inscriptions. A good rare edition copy with a unique author’s inscription.
It: Stephen King — Mary Martin Bookshop
First Edition, First Impression (Geoffrey Bles Ltd, 1953). Illustrated by Pauline Baynes. Original dark blue cloth with silver lettering on the back of the print. Faint toning to endpapers with minor spotting on obverse and very light discoloration of boards; small Foyles label in lower corner of front pastedown; content nice and clean and no inscriptions. The original, unrestored and unfastened dustjacket is preserved in non-removable cellophane with some tape fastenings and some tears to the top flap, which also has minimal loss.
First edition, first impression with the word “violence” in purple, p.1. 317, and the street sign on the upper plate has no name. Illustrations by Sidney Padgett. Publisher’s light blue cloth with minor staining, floral endpapers, gilt edges. Spine ends repaired with rubbing and soiling to boards and spine and previous owner’s bookplate to front.
US First Edition, First Impression (Harper & Row, 1970) First country dustjacket with exclamation mark behind “Latin America” upper cover. Originally published in Spanish in 1967. Original green cloth with gilt and green endpapers and pasted lettering on spine. Small area of light brown to front endpapers with very minor rub marks at spine ends, otherwise very good. The original and unfastened dustjacket shows very light wear in places with a very small chip at the bottom of the bottom panel, a few small edge scratches and a price in pencil that is barely noticeable with the original jacket price. A beautiful copy of the first appearance of the novel in English, housed in an attractive folding box.
First Edition Adult Paperback, First Impressions (Bloomsbury Publishing Plc, 1998). Author of dedication pages signature. It was originally published the previous year in 1997. A close copy of the special page with creases on the upper cover only visible on close inspection and some superficial scratches on the surface of the upper cover and small, isolated and faint spots on the upper cover. cover, otherwise beautifully sharp and clean, shows unread. Finely signed rare early edition copy.
All The Books I Got From London And Reading.
First Canadian Edition, First Impressions (McClelland and Stewart, 1985). The half-title is signed by the author and reads: “To Nancy – Best Wishes – Margaret Atwood.” Amazing dust jacket artwork by Tad Aronovitch. Authentic first edition from Great Britain and USA. Arthur C. Clarke Award-winning and recently adapted into a successful television series.
Quarterly bound in maroon cloth with cream boards and white lettering on spine. A fine and clean copy always appeared at the ends of the spine.
The original and unfastened dustjacket has a line to the spine but is otherwise pleasantly crisp and sharp.
First UK Edition, First Impression (Michael Joseph, 1960). The UK edition is much rarer than last year’s US edition. One of the best and most
Night Shift: Includes The Story Of The Boogeyman Soon To Be A Major Motion Picture From 20th Century Studios By Stephen King
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