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“That’s right, right? All creatures seek a place to call home. As for me, I’m the Overseer. The multiverse, every world, every event is my home and I protect it. the end.”
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What if instead of Steve Rogers, Peggy Carter (Hayley Atwell) was actually the first super soldier? This creative brainstorming exercise for the Marvel Cinematic Universe’s first animated series, What If…? it is the heart of the film. The anthology reimagines many key events from the films in groundbreaking ways and also features Chadwick Boseman, who was able to reprise T’Challa through voice work before his death.
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The fall of Sylvie Laufeidóttir and Kang the Conqueror, followed by the acquisition of the Time Alteration Organ, pushed countless points in the Sacred Timeline, effectively destabilizing the multiverse. From the observatory of The Nexus of All Realities, The Watcher begins observing multiple timelines brought about by their various contact events. However, the Watcher himself is sworn in among all other Watchers and cannot interfere with what is happening in reality.
Observing the Ultron universe, a powerful AI detects the Watcher’s presence. Ultron’s vast ambitions threaten the multiverse as a whole, forcing the Watcher to break his oath and recruit Doctor Strange, Captain Carter, Star-Lord, Killmonger, and Thor from their universes, along with Thor, along with Gamora, in the timeline where he killed Thanos. To destroy the Infinity Stones, the newly formed Guardians of the Multiverse confront Ultron and recruit Black Widow, his last survivor, to steal his soul stone before departing for his native reality. Ultron once again faced the Guardians, reclaiming the stone and subduing them. But Black Widow and Captain Carter accuse him of Arnim Zola, who takes over his body. Killmonger and Zola then fight for control of the stones, forcing Doctor Strange to keep them in his pocket.
With Ultron defeated, the Guardians return to their home reality, minus Black Widow. Unable to restore his reality to him, the Guardian instead takes him to the Third World, where he joins Nick Fury’s new Avengers in their fight against Loki.
Never learning how to be a good hero, Thor throws an out-of-control intergalactic party on Earth.
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Black Widow • Shang-Chi and the Legend of the Ten Rings • The Eternals • Spider-Man: No Way Home • Doctor Strange in a Multiverse World • Thor: Love and Thunder • Black Panther: Wakanda Forever
Ant-Man and the Wasp: Quantum Mania • Guardians of the Galaxy Vol. 3 • Marvel • Captain America: New World Order • Thunderbolts • Blade • Deadpool 3 Avengers was originally conceived as a vehicle for Ian Hendry. He would play Dr. David Kiel, who reluctantly gets involved in the counterintelligence business. The David Keel era ran for one season of 26 episodes. Offside him would be the shady and cynical John Steed (Patrick McNee).
Production on the first season was halted due to a cast strike, and Ian Hendry departed just as the cameras were ready to roll again. For three episodes, John Rollason was brought into the show as Dr. Martin King, mainly to use different scripts written for Ian Hendry. The intention was for Steed to become the main character in season two and to have two attractive female sidekicks appear in alternate episodes. Mrs. Cathy Gale is played by Reverend Blackman and Venus Smith is played by Julie Stevens.
Venus Smith was supposed to be a nightclub singer and, like Dr. Keel, she was supposed to be Steed’s unwitting accomplice. Indeed, both Mrs. Gale and Venus Smith are controlled to some extent by Steed, who rarely gets the chance to know all the facts of the case. In most cases, he tells them practically nothing. Steed’s personality is somewhat toned down from season 1, but he’s still tougher and more cynical than the more familiar Steed of the Emma Peel years.
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The alternate side kick plan has not been fully implemented. It quickly became clear that not only was Mrs. Gale the more popular of the two, but that she was also a far more versatile character. That’s not to say there’s anything wrong with Julie Stevens as an actress, but a leather-clad martial artist like Ms. Gale has more to offer the series than a very feminine jazz singer.
Eric Pace’s “Ten” marked the debut of Venus Smith. Jakob Borb (Paul Stasino), the president of the Balkan republic, is in Great Britain to obtain a loan for the use of naval bases in his country. Both his visit and the negotiations are worrying his ambassador, Stephen (Philip Madoc), as well as the British security services. No one knows how much they can trust Borb or if he has a plan of his own. While Borb inevitably turns his attention to attractive young women, Steed decides to use his friend, jazz singer Venus Smith, to spy on the president. He doesn’t think he needs to tell her what’s going on. This early incarnation of Steed is an amoral character and takes great pleasure in using people to achieve his goals.
Jakob Borb is actually kind of cute and Venus is in danger of being blown away. Meanwhile, Borb’s guards appear to be dying at an alarming rate. Steed (and his superiors) aren’t overly concerned with Borb’s internal affairs, but they don’t want him killed while he’s in Britain. Considering no one knows what his emissary is up to or what he’s up to, keeping him alive can be a daunting task.
Julie Stevens has almost no acting experience at this stage but she handles the role of her very well. Since Venus is a singer, she naturally has to sing, which she does quite competently. The biggest strengths of this episode are the performances of Paul Stasino and the ever-reliable Philip Madoc, both of whom play shifty characters. The whole episode has a dark (and sometimes very lazy) atmosphere that captures the world of international intrigue and espionage very well. Everyone is ready to play a double game with everyone else, except for poor Venus, who does not understand what is happening. This early version of Steed may be less attractive than later versions, but it’s also very ambiguous.
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Venus Smith’s second episode, The Removal Men (written by Roger Marshall and Jeremy Scott), kicks off with another nude scene! It seems that producer Leonard White is determined to make the series famous for its mischief. It’s a good episode, but Venus Smith doesn’t have a big role. The episode is fun, with Steed not only picking up a gun, but him using it, which he rarely does in the later years of the series. This is not just a moral horse, but a man who does not hesitate to resort to violence when necessary.
These 1962 episodes also featured characters who served as Steed’s controllers, namely One-Ten (Douglas Muir). This idea of the controller would be revived (most successfully) in the persona of Ana from the 1968 series. However, One-Ten adds some humor to The Removal Men.
When Venus made her third appearance on The Conclusion Box (written by Peter Ling and Edward Rhodes), the show’s new producer was John Bryce. He decided to completely revamp Venus: she now sports short hair, she’s quite bubbly and more in line with the Swinging 60’s. The original intention was to have both Venus Smith and Cathy Gale in the Conclusion Box.
The problem with Conclusion Box is that her twists and turns end too quickly, and therefore it’s all too obvious what’s going on. Steed manages to have some witty one-liners and his stint as a hypochondriac millionaire is great fun. In general, I like stage magic stories, but this script needed more thought. It’s still a pretty good episode.
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School of Traitors includes a spy group that recruits university students from Oxford. Given that the big British universities have produced more Russian spies than the KGB, it’s a very believable story, which is what you’d expect from a screenplay by James Mitchell, who set out to create Callan. he is more interested in the atmosphere of betrayal in the world of espionage than ingenious plot twists. The story benefits from some interesting supporting characters and some great performances from the supporting cast. Like Anthony Nicholls
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