The Last Ride Nicholas Sparks – Ira Levinson is in trouble. At ninety-one years old, in poor health and alone in the world, he finds himself stranded on a remote shore after a car accident. With multiple injuries, he struggles to maintain consciousness until a blurry image comes into focus next to him: his beloved wife Ruth, who died nine years ago. He forces her to hold on and forces her to stay awake by telling stories of their life together – how they met, the priceless paintings they created together, the dark days of World War II and the its effects on them and their families. Ira knows that Ruth cannot be with him in the car, but he clings to her words and memories, reliving the sorrows and daily joys that define their marriage.
A few miles away, at a local bull riding event, a Wake Forest College senior’s life is about to change. Recovering from a recent breakup, Sophia Danko meets a young cowboy named Luke, who bears little resemblance to the privileged frat boys she encountered at school. Through Luke, Sophia is introduced to a world where the stakes of survival and success, doom and reward—even life and death—are so great in everyday life. As she and Luke fall in love, Sophia finds herself in a future far from her plans – a future that Luke has the power to rewrite. . . if the secret he is hiding is not destroyed first.
The Last Ride Nicholas Sparks
Ira and Ruth. Sophia and Luke. Two couples with little in common, and separated by years and experience. However, their lives will come together in unexpected severity, reminding us all that even the most difficult decisions can give rise to extraordinary journeys: beyond despair, beyond death, to the farthest corner of the human heart.
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“He believed that most people, given a choice, would do the right thing, even when it was difficult, and he believed that good almost always triumphed over evil.” – Nicholas Sparks, The Longest Ride
“A good tradition is coming to an end, and more than anything I want one last chance to say goodbye.” – Nicholas Sparks, The Longest Ride
“His voice, even now, follows me everywhere on this longest journey, this thing called life.” – Nicholas Sparks, The Longest Ride
The story for The Longest Ride really started when I learned about Black Mountain College. I was struggling to find something to get me excited for my next novel when I came across a college reference online. I was, to put it mildly, very intrigued: that an isolated college in my home state of North Carolina was so influential on the American art scene that it seemed unlikely that I immediately began researching the school. Considering all that had happened during the school’s 25-odd years of operation — including World War II — it seemed ripe with possibilities. Before long, the character of Ira came to mind and The Longest Ride began to come together.
Sparks, Nicholas: The Longest Ride
Then, since Ira and his wife, Ruth, are such a beautiful example of eternal love, I wanted to find a perfect counterpoint as an example of new love. And then I went to Luke and Sophia. Sophia was created to appeal to my college-age fans, and Luke really is the quintessential All-American guy. I have never been to a Professional Bull Riding event, but there are so many ranches all over North Carolina, it seems logical that he would be a bullrider.
Black Mountain, NC is a small town located in the Blue Ridge Range in the Southern Appalachians. The town of Black Mountain was founded in 1893 and is named after the Black Mountain range of mountains that border the town to the north. Residents and visitors are greeted with quaint shops, friendly neighborhoods, and the great outdoors that have long attracted botanists, hikers and nature seekers. Founded in 1933, Black Mountain College is a new type of college in which the study of the arts is intended to be a central part of a liberal arts education in which John Dewey’s educational principles play a major role. .
Based on the best-selling novel by master storyteller Nicholas Sparks, THE LONGEST RIDE is about the star-crossed love affair between Luke, a former champion bull rider who wants to make a comeback, and Sophia, a college student who is about to his dream. working in the New York art world. As contrasting paths and ideals test their relationship, Sophia and Luke make an unexpected connection with Ira, whose memories of his own decades-long affair with his beloved husband greatly inspired the young couple The longest ride, spanning generations and two intertwined love stories explores the challenges and endless rewards of enduring love.
Subscribers to Nicholas’ private mailing list receive email updates about his upcoming projects, events and other newsworthy items. Provide your email to join the list. On Box Office Mojo’s website, “The Longest Ride” is described in three words: “Brand: Nicholas Sparks.” That might be all you need to know. The film, directed by George Tillman Jr. (“Soul Food,” “The Inevitable Defeat of Mister & Pete”), is the latest screen adaptation of the work of a writer whose stamp is unmistakable. For those familiar with his novels—and, more relevant for our purposes here, the beach-and-sunshine, white-guys-kissing-in-the-rain movies that inspired them -Mr. Sparks names a genre, an aesthetic, a swoon-like, saccharine, strangely compelling gestalt.
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A Nicholas Sparks film is a romantic melodrama in which the road to lasting love is beset with complications, some ridiculous, some life-threatening. The setting is usually North Carolina (unless tax incentives in other states inspire a change). Besides beach sunsets and kisses in the rain, you can expect most of the following: an atmosphere of implicit but non-doctrinal Christian spirituality; a young couple from two different worlds (even though they’re both white); at least a medical crisis; a death; a handful of evil characters whose evilness isn’t fully apparent to the main couple until it’s too late. It could be rival lovers, unfaithful friends, snooty family members or just plain mean. Their job is to add drama, and to work with the invisible hand of fate to keep the plot in a frenzy.
“The Longest Ride” is somewhat of an anomaly in that it is almost completely devoid of villains, aside from a fearsome bull named Rango. Of course, nothing personal. At the beginning of the film, Rango throws a young rider named Luke Collins (Scott Eastwood), causing serious (though not compromising looks) injuries and derailing Luke’s ambitions to become a top bull rider on the rodeo circuit . It is important to note here that Lucas was motivated less by the pursuit of glory or sponsorship income than by the need to maintain his family farm after his father’s death. Speaking of father, mr. Eastwood’s resemblance to the younger, “Rawhide”-era incarnation of his own father is quite uncanny: the jaw line, the hint of a smile, the still-closed blue eyes.
At a tournament a year after the Rango incident, that audience interacts with some baby blues belonging to Sophia Danko (Britt Robertson), an art history major at Wake Forest University who, along with ‘na- tag along with some of her sorority sisters who are looking forward to it. to see “the hottest guys.” Sophia wasn’t that kind of girl, any more than Luke was the kind of guy who would be seduced by the rodeo groups that filled the stalls. He’s an old-fashioned guy, the kind who insists on buying drinks and making the first call and showing up for his first date with flowers and a plan for a moonlit barbecue picnic.
But like I said: different worlds. Sophia, the daughter of Polish immigrants who grew up in New Jersey—her background may be the single least believable thing in the entire film, which is saying a lot—has an internship at a Manhattan art gallery. Luke is determined to stay behind Rango for eight seconds, even if it kills him. (Which it can!) What kind of future can they have together?
Longest Ride’ Moves To Avoid Showdown With ‘fifty Shades Of Grey’
Of course, you and I both know the answer – it involves kissing under a spray of water – although the events it unfolds are beyond the ordinary predictable. But the roadblocks seem small enough to make the story of their relationship a bit boring, despite the charm and sincerity of the actors. Fortunately, they meet Ira Levinson (Alan Alda), a widower whose monogamous bliss mirrors and predicts their own. As Ira recovers from a car accident, he reads from a collection of letters that chronicle his courtship and marriage. It’s not entirely clear why he wrote so many letters to a woman he saw every day – letters that sometimes seem to tell the story of what they shared hours before the time of composition – but it’s sweet.
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