The Longest Ride Full Movie Online – Once again, Hollywood has done its best by taking an honest, realistic Nicholas Sparks love story and turning it into a cheesy, unrealistic love story.
The film, based on Sparks’ novel The Longest Ride, was released in theaters on April 10. Like many of Sparks’ stories, “The Longest Ride” has been set on the East Coast in Greensboro, North Carolina since 2011, but it often migrates. 1930s, 40s and 50s. It centers around two separate but seemingly separated love stories by time.
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One of the most devastating experiences a book lover can have is when the book is turned into a movie and the description doesn’t match the work the movie is based on. The film adaptation of “The Longest Ride” did not do the book justice.
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In the book, Luke Collins and Sophia Danko met at a rodeo in 2011 after Luke won the bull riding competition. She silenced Sofia’s aggressive ex-boyfriend Brian as he kept his face dirty as he held Luke’s boot firmly around his neck.
But in the movie, Sophia retrieves Luke’s hat after it falls on his head when he jumps over the arena rails to escape the bull he rode for eight seconds.
What the film lacks in this encouraging event is Luke’s character. There’s no doubt that Scott Eastwood has the cool cowboy fantasy look, but his portrayal of Luke doesn’t convey the spirited, mysterious, and humble character that Sparks created.
The moment the movie gets this scene wrong is when the adaptation goes wrong, especially for those who read the book. The audience misses what makes Luke a real person.
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Ira and Ruth Levinson looked at each other in Ira’s family’s clothing store at the beginning of WWII. Both Jewish, Ruth’s family fled Vienna, Austria, before the war got worse.
The introduction of this love story was perfect for the film. The timid, timid and pitiful character of Ira is successfully brought to life by Jack Huston – clearly a well-seasoned actor.
Their two romances collide when Luke and Sophia rescue Ira from his car after he runs off the freeway on a rainy night.
Ira is older when the two find him, and asks Sofia to retrieve a box from her passenger seat before the car explodes. The wicker box was filled with letters Ira had written to his beloved, the late Ruth, throughout their marriage. These letters were a portal that Ira used to transport himself back to his longest journey—his life with Ruth.
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In the movie, Sofia visited Ira at the hospital and at his home to read letters to him because his website wouldn’t let her read them on her own.
In the book, Sophia and Luke don’t find Ira until several chapters later, but in the movie, the two find him within the first fifteen minutes. Of course, the story can not be told on the screen as in the book – each chapter from the point of view of a character. But this is another area where the film loses the essence of the novel.
Spark’s point in his book is that love transcends time and will always have sacrifices. Ira and Ruth and Luke and Sophia are similar because both men and women come from different worlds. Ruth and Sophia are both artists, while Ira and Luke have no clue about this world.
Ira, in the movie and the book, likes what his wife likes. In the book, Luke tries to understand Sophias passion, but in the movie, Luke tells his boss that there are more “balls” in the art world than where he works.
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In the book and movie, Ruth sacrifices not realizing her dream of a big family because of Ira’s injury in the war. Ira tried to push Ruth away, but she decided to love him more than her dreams.
While on the big screen Sofia has a job and leaves it to Luke, in the pages Sofia has no job after graduating from college and Luke stops riding for her and her mother due to a life-threatening accident. But even this important plot did not get the right film.
Luke was seriously injured during a ride on the Big Ugly Critter, renamed Rango for the film. After the accident, doctors told him not to ride again because a similar head injury would kill him. His mother had to mortgage the family farm to pay his hospital bills, and Luke, pressured to save the ranch himself, decided to make money the only way he knew how. Elements of this plot were shown throughout the film, but Luke’s character was not believable because he was not central.
The film distorts the relationship between Luke and Sophia, which is partly to do with the lack of chemistry between Eastwood and Britt Robertson. The film centers Luke and Sophia’s relationship on sex rather than the sympathy and companionship developed in the book – an expression of the unrealistic Hollywood romance.
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But fortunately, the film portrays Ira and Ruth in a way that satisfies the readers. If only the story between Ira and Ruth was shown, the movie would be better. Huston and Ona Chaplin took Ira and Ruth out of line and brought them to life on screen.
The movie “The Longest Ride” was, in part, the worst adaptation of a Sparks novel ever, but those who haven’t read the book and are hungry for a cheesy, sentimental Hollywood romance will probably enjoy it. A young man’s life is intertwined with an older man’s when a couple rekindles an old love.
People don’t go to Sparks movies for subtlety. They warm their hearts when they witness true love. Of course, this requires a story that rings true. In “The Longest Journey,” authenticity is lacking.
The Longest Ride is important—and even enjoyable—not only to fans, but also to the cynical layman.
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As a romance, drama or sports film, The Longest Ride never reaches a satisfying destination.
“The Longest Ride” treats us to a very funny twist, and I think we are more likely to laugh. It’s “Are you kidding me!?” Not so drunk. Scary levels as big as the reveal in “Safe Haven,” but it’s closed. It’s close.
The Longest Ride is a weak sauce addition to the Sparks empire, slightly better than last year’s The Best of Me, but miles below the uber-Sparks work of The Notebook.
The Longest Ride features bulls like 10 previous Sparks adaptations. This is one of the few times you can ride for more than eight seconds.
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Look, it’s easy to laugh at these things – it’s actually part of the game. To buy these movies, you have to buy stupid. But The Long Walk, for all its ridiculousness, comes across as sincere in its sentiments.
Just adding an older generation of lovers to a romance doesn’t make your romance one for the ages.
Can the young, sickly torn lovers help sort things out in their limited time on Earth, or even beyond? Let’s just say Sparks works up to a predictable ending without being labashedly absurd.
There is little here to convince the audience of the special chemistry of the boy and the girl, and nothing to connect the audience with them.
The Longest Ride (blu Ray) Britt Robertson Scott Eastwood
It is exactly what you would expect, except for the execution of skills above average with the help of some excellent actors and the beautiful rodeo scenes that capture the drama and thrill of bull riding.
If this is your special poison, it will not kill you. But anyone who doesn’t like Sparks’ sleazy touch can get sick of all the bull.
It seeks to bridge the gap between pop culture and the cultural elite, between high art and the common good that everyone else buys tickets to see. A worthy goal, but the result is a film lacking in either.
Sparks adheres to a timeless formula, with shops, of troubled protagonists who find wisdom, or inspiration, or both, from unexpected sources.
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Young Eastwood is better than you’d expect, but it’s Chaplin who shines in this Nicholas Sparks romance. Ira Levinson is in trouble. At the age of ninety, in poor health and alone in the world, he finds himself stranded on a lonely embankment after a car accident. Suffering multiple injuries, he struggles to maintain consciousness until a vague figure materializes: Ruth, his beloved wife who died nine years ago. He asks her to stay, forces her to stay awake, tells the story of how they met, the paintings they gathered together, the dark days of World War II and its impact on them and their families – a life for both of them. Ira knows Ruth can’t be in the car with him, but he clings to her words and memories, reliving the sadness and joy every day.
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