Tsotsi Full Movie English Subtitles – In this Miramax film, Presley Chwenyage plays a ruthless young mobster who takes care of a baby he accidentally kidnaps during a carjacking in “Tsotsi.” (AP Photo/Miramax Films/ Blid Alsbirk) Actors: 03-05-2006 Jake Gyllenhaal and Heath Ledger in “Brokeback Mountain”: 8 Oscars. Blid Alsbirk
Chochi: Drama. Starring Presley and Terry Peto. It was written and directed by Gavin Hood. (English subtitles available in Tsotsi-taal. Rated R. 94 min. In Bay Area theaters.)
Tsotsi Full Movie English Subtitles
The hero of “Chochi” is a teenage gang leader. His deep brown eyes, often shown in close-up, take everything in and filter it through his innate intelligence before deciding his next move. Tsotsi survives on his wits. He is smarter and more self-sufficient than his bully friends. He won’t reveal his name to them, using the usual tsotsi, which means thug in ghetto terminology.
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The Academy of Motion Picture Arts and Sciences awarded this South African film the Best Foreign Language Film Award. It draws you in with the iconic opening scene where the gang members roll the dice. Possibilities soon manifest and stack up for the lucky ones. And never give up. The poverty in their town on the outskirts of Johannesburg is hard to see. Abandoned children sleep on sewage pipes stacked like dominoes in an open field. After climbing into his hut, Tsotsi (Presley Chwenyage) returns to see the pipe he once called home.
Orphaned at a young age and forced to fend for himself, it is understandable how Tsotsi could have evolved into something of a monster. The film does not hesitate to brutally explain his violent actions. As painful as it is to watch, there is a payoff at the end. It is the hope of redemption for this troubled young man and, according to his reasoning, for other lost souls.
His anger is focused on any people of color who seem to have succeeded in ending apartheid. Noticing one of them taking out a wad of bills in a subway station, he plots the man’s massacre on a crowded train. Everyone got off and his bloody body fell to the ground.
Later, in a mansion block, Tsotsi observes a black woman running out of her car in heavy rain and yelling into the intercom to let her in because the house’s automatic door opener isn’t working. This mechanical failure changes his life. He leaves in her car, unaware that the baby is sleeping in the back.
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From the moment you hear this adorable baby quack, the film turns into a story about baby well-being. When Tsotsi, who is not well-versed in parenting techniques, carries them around in a paper bag, they worry about bumping their little heads. It’s a sign of the heart that went into making this film that director Gavin Hood, who wrote the screenplay for playwright Athol Fugard’s novel, attracted so much interest.
Surprisingly, Chwinyoge, who has never appeared on screen before, informs Chochi of a change as soon as someone is in charge. He seems less intimidating. His dullness lessens as he wanders the neighborhood. However, he doesn’t care at all. Spotting a woman with a baby in her arms, he appears on her doorstep with a sack of valuables. Holding the gun, Miriam (another newcomer, Terry Fetto) asks to nurse the baby. She is docile at first due to fear, but later due to her tenderness, she feels for Sotsi and the baby. They are like children, playing house. Miriam creates mobiles in tinted glass, whose shimmering reflections are the perfect backdrop for this idyllic romantic interlude.
Fugard’s book is set in the 1950s. Hood’s decision to modernize the film feels right and makes a powerful statement about what is still wrong with post-apartheid South Africa.
The hood doesn’t spell everything. In flashbacks, Tsotsi is shown obvious love for her ailing mother. The movie doesn’t say why she died. But signs in public places warning of the AIDS epidemic hint at its cause. You might wonder how her wayward son would have been different had she lived. ‘Chochi’ is an unfamiliar language, but that doesn’t belie the pain of his childhood. In Johannesburg, petty criminal Chochi is an emotionless teenager hardened by a hard life. After violent mob attacks, Tsotsi hijacks a car. However, while driving, Tsotsi discovers that there is a baby in the back seat. Brings the baby to his home in the slums. The next six days bring unpredictable changes in him.
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It provides a complete narrative that is unemotional but full of emotional power. Not getting maudlin, it will tear you apart.
It is eye-opening and intensely developed, makes the characters memorable and makes the film a great thrill.
To fully experience the power of the film’s poignant story, we should not be too quick to judge or embrace the young Mr. Cho. He is an enigma and his journey is a story.
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Images can be flat and clear. But thanks to Gavin Hood’s straightforward, detailed direction and the star’s emotional performance.
[Director] Hood energizes the film with unexpected locations, a swinging and soaring score, and a meticulously crafted screenplay that transforms everyone in the film into three-dimensional, complex characters.
A touching picture of a man who has suffered in his life and doesn’t know how to deal with it. This is a tragedy, not a melodrama.
[Director Gawain] Hood doesn’t over-sentimentalize Tsotsi’s story and doesn’t glorify the life of a thug like many American films do.
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This is your first look at South Africa that doesn’t require a Hollywood studio or a Hollywood star.
The film is worth watching for its face and evocation of the rough but desperate slum life, devoid of melodrama or trauma.
For all the dark edges, Tsotsi has a silver lining that makes it worth a bumpy ride.
[Director] Hood refuses to sugarcoat the horrific reality at the heart of the film, which wins you over when you see how many times this story has been told.
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We’re not used to bad guys with redeeming qualities. That is what makes Tsotsi exciting and disturbing.
It’s a sign of the heart that went into making this film that director Gavin Hood, who wrote the screenplay for playwright Athol Fugard’s novel, attracted so much interest.
What Tsotsi does not explain is how the introduction of a baby can break a vicious cycle of crime and neglect of others.
Blending Hollywood hocus pocus with thrilling documentary-style realism, Tsotsi (Presley Chwenyage) is set on a perilous journey enjoying the orange dust of a Joburg slum. Ursprünglicher Tsotsi DVD Film Video Johannesburg South Africa Hope Redemption Academy Award
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Based on South African playwright Athol Fugard’s only novel, TSOTSI presents a thrilling and provocative look at life in the slums outside Johannesburg. Presley Chwenyage plays a killer-eyed teenager who lives alone in an empty room in a poor shack and commits petty crimes with the help of Boston (Mothusi Magano) and The Butcher (Senzo Nkobe). ) and App (Kenneth Nkozi). However, after they stab a man on the subway and Tsotsi (meaning “thug” or “thug”) beats up Boston, Tsotsi flees to a wealthy section of the city and shoots a woman to find out about his past. , steals her car. He later realizes there is a baby in the back seat and decides to leave the baby alone. Tsotsi finally looks back on her childhood
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